[Skip to Content]
Access to paid content on this site is currently suspended due to excessive activity being detected from your IP address Please contact the publisher to request reinstatement.
[Skip to Content Landing]
Citations 0
The Cover
October 20, 1999


JAMA. 1999;282(15):1403. doi:10.1001/jama.282.15.1403

He burst upon the art scene with the brilliance of a Roman candle. His colors were unbridled, untamed, wild, so the critics said. They promptly dubbed him—along with his associates Matisse, Vlaminck, Rouault, and Marquet, among others—one of Les Fauves (the wild beasts). He was André Derain (1880-1954), the 25-year-old son of tradespeople from Chatou; he had abandoned an engineering career to enter the Académie Carriére in Paris, and he was encouraged there by his friend Vlaminck. Four years of military service did not quell his fires, and shortly after he was released from the service, he took part in the now famous Salon d'Automne in Paris in 1905. Fauvism also, however, had the life span of a Roman candle, and gradually, Derain returned to his more conservative beginnings; by 1919, he was painting such works as the relatively subdued Harlequin (cover ).

First Page Preview View Large
First page PDF preview
First page PDF preview