[Skip to Content]
Access to paid content on this site is currently suspended due to excessive activity being detected from your IP address 54.161.175.236. Please contact the publisher to request reinstatement.
[Skip to Content Landing]
Citations 0
The Cover
November 3, 1999

The Tama River in Autumn

JAMA. 1999;282(17):1604. doi:10.1001/jama.282.17.1604

Katsushika Hokusai (1760-1849) was the adopted son of a mirrormaker from Edo (possibly, by a concubine, his natural son). He began drawing at age 5; by the time he died nearly 85 years later, he was the author of more than 30,000 drawings, woodcut designs, and book illustrations. With his rival Hiroshige (JAMA cover, June 23/30, 1999), he dominated Japanese painting of the 19th century and changed the face of ukiyo-e painting. Scenes of theater, brothels, actors, and courtesans were replaced by landscape and family scenes. A crowd pleaser and showman, he anticipated American "action painting" by more than a hundred years: on one occasion, he ran wildly around a 200-square-meter canvas, scattering paint from a broom dipped in a pail of pigment. On another occasion, he covered the feet of a chicken with red paint, then allowed it to run across a sheet of paper he had painted blue; he called the composition Maple Leaves on a River. Uncommonly restless, he changed his domicile more than 90 times and his name a dozen times. He suffered tragedy as well—the loss of two wives and a son—and he had a grandson who was a wastrel. He was celebrated throughout Japan but for most of his life lived in poverty.

First Page Preview View Large
First page PDF preview
First page PDF preview
×