Presidential Address
April 2002

The Surgeon's Art

Author Affiliations

From Hartford Hospital and the Connecticut Surgical Group PC, Hartford.


Copyright 2002 American Medical Association. All Rights Reserved. Applicable FARS/DFARS Restrictions Apply to Government Use.2002

Arch Surg. 2002;137(4):390-396. doi:10.1001/archsurg.137.4.390

My subject is the art of surgery, its history and progression into the present high-tech age. I have included artists' images from the collection of jama covers that I hope will combine with my words to bring some inspiration. A new century in American surgery is under way. It is fast moving, even frantic, with new science and technology appearing every day. In this stressful milieu, let us pause to view Michelangelo's Creation of Adam from the ceiling of the Sistine Chapel (Figure 1). I propose that we might also pause to reflect on the art of surgery. Practicing surgery in our current world—engaging in humane dialogue and making clinical judgments amid challenging medical, ethical, and economic forces at the interface of patient and surgeon—is a complex undertaking. It is a challenge that our forebears in surgery could not have foreseen. Furthermore, they could not have predicted the wave of disenchantment expressed by physicians and patients at the very time when the surgical armamentarium has become larger and finer and the achievements more spectacular than ever. In the literature of our field, the following question is posed: "Must there be an inverse relationship between technical outcome and service experience?"1 No. However, Leon Eisenberg states, "[P]ublic dissatisfaction with care received has been increasing in recent years despite the greater and greater proficiency of medical and surgical specialists in reducing morbidity and mortality."1

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