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The delicate nature of his misty, evocative waterscapes belied the dynamic personality of James McNeill Whistler (1834-1903). The same artist who gave the world the sedate Arrangement in Grey and Black: Portrait of the Painter’s Mother (commonly known as Whistler’s Mother) (JAMA cover, February 1, 1965) himself favored the life of a bon vivant. Despite the seeming contradictions, he appeared steady in his conviction that art need not be laden with subtext but could exist only to breathe beauty to the world.
Smith JM. Symphony in Grey and Green: The OceanJames McNeill Whistler. JAMA. 2016;315(5):442–443. doi:10.1001/jama.2015.14086
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