Late in his long and distinguished career, German composer Richard Strauss decided to “go light.” Weary of politically influenced music critics and of economic instability in post–World War I Vienna, Strauss said, “I cannot bear the tragedy of the present time. I want to create joy.” He composed a Nutcracker-like ballet entitled Whipped Cream (Schlagobers), which premiered at the Vienna State Opera in 1924.
It tells of a boy who is hospitalized for abdominal pain after overeating at a Viennese sweet shop and who subsequently hallucinates about being rescued from a sinister attending physician by a dancing Princess Praline. It’s campy, but underlying this seemingly innocent childhood fantasy of dancing confections was (and is) public distrust of medicine.
Identify all potential conflicts of interest that might be relevant to your comment.
Conflicts of interest comprise financial interests, activities, and relationships within the past 3 years including but not limited to employment, affiliation, grants or funding, consultancies, honoraria or payment, speaker's bureaus, stock ownership or options, expert testimony, royalties, donation of medical equipment, or patents planned, pending, or issued.
Err on the side of full disclosure.
If you have no conflicts of interest, check "No potential conflicts of interest" in the box below. The information will be posted with your response.
Not all submitted comments are published. Please see our commenting policy for details.
Wang JF, Soter NA, Morrison SA. Whipped Cream—Viennese Ballet and Pop Surrealism Meet Dark Medicine. JAMA. 2019;321(7):630–631. doi:10.1001/jama.2018.19502
Coronavirus Resource Center
Customize your JAMA Network experience by selecting one or more topics from the list below.
Create a personal account or sign in to: